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19 Aigburth Road Liverpool, Merseyside, L17 4JR


This week we caught up with our fantastic graduate, Graeme Pickering. Graeme is 30 and graduated from LTS in 2010, since then he has successfully worked professionally in the industry, turning his hand to many different things. Graeme began working for Celebrity Cruise Lines new production company as their London Casting Associate in 2015. Within his role, he has been lucky enough to work with the casting team not only in London, but within Europe also. Graeme works in various distinguished full time dance and theatre schools across the UK, training aspiring students to succeed in show business. Most recently, Graeme has taught regularly at Elmhurst Ballet School, Studio 79 (Leicester), Jelli Studios (Liverpool) and Funky Studios. He has delivered workshops at LIPA, Leicester College of Performing Arts, Expressions Academy of Performing Arts, Chantry Dance School, Centre Pointe Studios, Rare Studios, Creative Academy and Liverpool Theatre School to name a few! As well as choreographing for various agent showcases across the UK, other choreography credits include Beauty and the Beast (Palace Theatre, Newark), The Masked Ball (Tatton Park, Cheshire), Jack and the Beanstalk (Palace Theatre, Newark), The Great Gatsby (Branston), Beauty and the Beast (Grand Pavilion, Porthcawl), ‘Loserville’ and ‘The 25th Annual Putnam County Spelling Bee’ (Capstone Theatre, Liverpool). During his time as a performer, Graeme was fortunate to travel the world on luxury cruise lines performing in first class production shows. He worked for Costa Cruises, Carnival Cruises, Celebrity Cruises and the prestigious, world famous company – Cunard Line. Graeme was also fortunate to be a part of the celebrations for the Olympics London 2012. We caught up with Graeme and asked him a few questions, first we asked, “Where do you want to be in 5 years time?” He replied;

Still doing what I am doing but even more projects! I love creating new choreographic work, finding new talent and also teaching and mentoring students.

It’s always great to find that one of our students has found such a passion for teaching as our staff do here. Secondly we asked, “What did you enjoy most about LTS?” He replied;

I loved the happy vibe the school has. All the students get along together and it’s one big, happy, dysfunctional family! I have visited a few times now to teach and choreograph 3rd year musicals and the vibe is still the same!

With our auditions coming up we thought we’d ask Graeme, “Why should prospective students chose LTS?” He replied;

Excellent musical theatre training the north of England which produce excellent talent. Celebrity Cruises who I am the UK Casting Associate for have hired a number of graduates over the past 3 years!

Finally we asked Graeme, “What is your favourite memory/story of your time at LTS?” He replied;

My favourite memory of LTS is working the studio with my year group who have gone on to achieve great things. There has been so many success stories from my year and it makes me proud and happy every day to think these friends have achieved their dreams since graduating!

It was great to hear from you Graeme, keep doing what you’re doing! We’re all very proud!

Thank you for your time,

Liverpool Theatre School


Last week we caught up with our brilliant graduate Camille Mesnard. Camille is 29 and graduated from LTS 7 years ago in 2010. Since then Camille has been up to all sorts from being on the BBC TV programme ‘Over The Rainbow’ for Andrew Lloyd Webber, to playing the roles of Beauty, Snow White and Jill in Panto’s. She has been a part of ‘Children of Eden’ at the Prince of Wales theatre alongside Louise Dearman, Oliver Thornton, Gareth Gates and Lauren Samuels. She has also done contracts on the Regent and Oceania cruise ships for Jean Ann Ryan Production. She played Miriam in the new musical ‘Slaves of the Kingdom’ at the Edinburgh Festival, Understudied and played both Belle and Mrs Potts in ‘Beauty and the Beast’ for stage entertainment. She was a part of the cast of “Singin’ in the Rain” at the Châtelet (Paris) for Stephen Mear, Robert Carsen and Gareth Valentine. She has been a lead singer in the Europe tour of ‘Disney in concert’ for Incredible Management alongside a 45-piece orchestra. Currently, she is doing the reprise of “Singin’ in the Rain” at the Grand Palais. And like that all wasn’t enough she also produced her own show ‘Homage to Edith Piaf’ as a guest entertainer on cruise ships with her American agent ‘Tad Management’. We caught up with Camille and asked her a few questions, first we asked, where do you want to be in 5 years? She replied;

I want to just carry on making a living of what I love most. This industry is tough for EVERYONE. Even the people that you may think “have made it” do not always work, it is virtually impossible. I would love for my guest entertainer career to grow, as my show is very important to me, but I would also love to try different things such as voice overs, commercials etc. I would also love to open my own musical theatre school in the south of France, where I am originally from, but not just yet. Honestly though, as long as I still sing and act for a living I will be a very happy lady.

It is very nice to know that you are still as passionate about performing now as you were when you studied with us. Keep working hard and we’re sure you’ll get to where you want to be. Secondly we asked Camille, what did you enjoy most about LTS? She answered;

The care that I received and the lessons I got given by wonderful teachers. When I first came to LTS I could not even speak English properly. I found some wonderful friends that corrected me non-stop and some teachers that went the extra mile to give me private diction lessons. I just felt as though the teachers were behind me and they wanted me to succeed, always. One thing is for sure, the hard work is for you to be done, teachers are not there to express how wonderful you are, on the contrary, they are there to tell you what needs working on. I can’t stress enough how important it is to concentrate on you and your work instead of who got the solo, the centre stage spot and the better mark. What LTS is good at is trying to make you shine at the best of your ability.

It is lovely to hear such kind words about our brilliant staff! With our auditions just around the corner we asked Camille, why should prospective students choose LTS? She replied;

Because it is crucial to be given a chance and feel confident about who you are as an artist. I have met dozens and dozens of students from the top 2/3 London MT schools who were not even involved in their showcase. They did not do a step of dance or sang a single note because there was simply too many of them in the class and were not given the chance to show who they were during the duration of their course. They graduated with no chance whatsoever to show their talents. How do you get an agent then? LTS gave everyone a chance. That was the case throughout the three-year course. We all sang solos on a weekly basis if front of each other. We all had a part, even a very small one, in the plays we were working/putting on. We were all dancing, even if we were at the back with the least technique! When you are then, out there, at auditions, it helps tremendously.

We try to push our students to better themselves at all aspects of performing as like Camille says, when you enter the real world it benefits you massively. Finally, we asked Camille, what is your favourite memory/story of you time at LTS? She replied;

That is such a tough question. I literally have too many. We had a lot of laughs. This might be a little rude, but so what… We were working on ‘Once a Catholic’ by Mary O’Malley. There was that scene where three school girls are talking about a man’s parts and there was that one word that I really could not figure out- “willy”. I felt as though if I got that word, I would understand the meaning of the whole thing a lot more. Well, I felt so comfortable with my class and teacher that I simply put my hand up and asked, “what is a willy?”. Everyone laughed out loud, a few of them were actually crying and to make it all worse the teacher had to explain. I don’t think I have ever felt so embarrassed then… but I now love that story.

Thank you for your time Camille and we wish you all the best in your future projects. Keep working hard and the dreams will come true, it sounds like you’re well on your way!

Come and see us soon!

Liverpool Theatre School


This week we caught up with our amazingly talented graduate, Mr Oliver Ormson. Oliver is 27 and graduated from LTS is 2012. Since then he has gone on to work in both television and stage with dreams of going right to the top. His first professional job was playing the notoriously handsome Link Larkin in ‘Hairspray’ at the Aberyswyth Arts Centre. Since then he has played the role of ‘Bernardo’ in the BBC1 show ‘West Side Story’. many different roles in theatre including, Prince Charming in Cinderella, Tenor in the Thursford Christmas Spectacular, Tenor again in ‘Soprano VS Tenors’ European tour, Swing/1st Cover Elder Price in ‘The Book of Mormon’ at the Prince of Wales Theatre and finally the role of Lucas Beineke in ‘The Addams Family Musical’ UK tour. Oliver is on the up and up and continues to impress in everything he does. With all this incredible work already under his belt, we asked Oliver, where do you want to be in 5 years time?

I would like to be an established leading man in the West end in 5 years’ time. Also, I would have like to cross the pond, and hopefully would have worked on Broadway in some capacity. By then, I also would have like to have worked in various TV and film productions.

We’re sure you’ll get there Oliver, keep working hard at what you’re doing and the dreams will come true. We decided to ask Oliver a few questions about his time at LTS, so firstly we asked, what did you enjoy most about training at LTS?

I enjoyed the intensity of the musical theatre course at LTS. There were times that my body and mind were so tired, but I could feel myself improving every day. The teachers would push you to be the best possible version of yourself.

We see students on certain aspects of performance every day and that is why we do what we do. Seeing growth, development and improvements in our students is what working at LTS is all about. We then asked Oliver, why do you think prospective students should consider studying at LTS?

Its very rare at theatre schools today to get individual attention when you are in class, because other theatre schools have a huge amount of pupils in each class. I found at LTS because of their smaller class size, that there was no hiding during exercises, so teachers would notice any improvements you could make.  It may sound daunting to feel exposed, but having that knowledge passed on, individually to you, is so valuable and that why you can see vast improvements in the students at LTS over the 3 years.

We pride ourselves on our smaller class sizes and the one to one teaching that our students receive. We’re a very close knit group here at LTS, our staff know the students inside out, they know their strengths and their weaknesses. and how to approach the students to help them develop. We find that building up a close relationship and trust helps the students to improve on aspects of performing that they’re struggling with. Finally we asked Oliver, what is your favourite memory/story of your time at LTS?

My favourite memory at LTS would have to be in my first year when I had to sing Mr. Cellophane in the summer show. All the boys in the school auditioned to sing the solo song, and I was the one who got it. My performance of Mr. Cellophane helped me to earn ‘Performer of the year’ at the end of the year awards. I felt during that year I worked hard to improve and being to able to sing a solo song in front of everyone was a great way to finish my first year at LTS. 

Thank you for taking time out of your very busy schedule Oliver, it is great to hear how much you enjoyed your time at LTS. Keep working hard and we’re sure you’ll reach the heights you dream of. Stay in touch and come back soon!

Liverpool Theatre School


Last week we caught up with our brilliant graduate Ian Gerard Whyte. Ian is 36 and graduated from LTS twelve years ago in 2005. After graduation, Ian moved to Ireland to study for his Bachelors degree in classical singing/performance. He auditioned for Ireland’s Premiere Opera Company, Opera Ireland. He worked for them as a resident chorister at first, then Fight director, principle singer, and concert singer, performing in the Gaiety Theatre Dublin. He has performed many roles in several different opera’s including ‘La Traviata’, ‘La Cenorentola’ and ‘Turandot’ to name but a few. He had the pleasure of playing Gaston in Disney’s Beauty and the Beast for festival productions, from 2010-2011.
 In 2011 he worked on Don Giovanni as chorister for Lyric Opera and played Gaston again for New Lyric Opera’s production of Beauty and the Beast in northern Irelands Grand Opera House.
 In 2012 he played the role of Danilo in The Merry Widow touring the Canary Islands with a G&S opera Company, Trent Opera. I was also chorister and understudy to Tristan in the opera Tristan and Isolde for Wide Open Opera at the Bord Gais (Grand Canal) Energy Theatre.
 In 2013 he took the leap into television and worked with the Game of Thrones production, in the VFX department, performing as the Ice Giant and controlling the Giant Mammoth.
 He was then able to get a job at my old university (Dublin Institute of Technology – DIT) as Assistant Director on their public productions of Noyes Fludde and subsequently he decided to undertake his Masters Degree in Directing for theatre, in University College Dublin. In 2014 he turned to television again and was delighted to get the opportunity to work along side Gillian Anderson on BBC’s ‘The Fall’ as one of Nash’s henchmen. 
He worked as chorister and chorus manager for both, Wide Open Opera, on their production of Nixon in China in the Bord Gais Energy Theatre and RTE’s production of Carmen in Dublin’s National Concert Hall. He continued to work with the DIT as Assistant director and Fight director on their 2014 productions of La Boheme, The Merry Widow and their revival of Noyes Fludde. During my Masters degree 2014/2015 he worked for Wexford Festival Opera, playing the role of Naaman in Salome. He was also fight director of UCD TV’s short film the Echo Chronicles and Fight director for UCD’s Drama production of Othello. At the start of 2015 he played the character Mariner Punter 1 in John Breen and Andrew Synnots premiere opera, in its debut performance; Breakdown at Dublin’s National Concert Hall. Then he worked with Opera Theatre company as Assistant Director and Fight Director for their tour of the opera, Rigoletto. He was then cast to play Sante in Opera Theatre Company’s national tour of Suzanne’s Secret. In 2016 he wanted to learn more about other aspects of the production industry, so whilst working with the DIT he took on the role of Production Manager. As well as the role of Stage Technician for Opera Theatre Company on their production of La Boheme on tour. Following this, he signed a 3 year modelling contract to appear on Denny’s Fire and Smoke product range, appearing on billboards across the country and on their range of meats in supermarkets. He also landed a long term contract on the TV series Into The Badlands season 2, as a Stunt Abbot, Overseer, Clipper, Mech, Hand double, Foot double and Body double. The start of 2017 saw him play the role of John Dundon in a crime reconstruction tv series on TV3 and a featured killer on RTE/BBC’s; Red Rock. He took time out of performing during the summer to train with the British Action Academy and obtain my Screen Combat Certificates. He also completed their Gun Course and Live Action Stunt Training course which he also currently holds the record for completing and passing all of their courses within a 5 month period. He has recently worked on ‘Into the Badlands’ season 3, as part of the Stunts/Fight unit and Drama unit. He has just finished filming on the TV series Vikings playing the role of a Viking King, working along side Steven Berkoff. The next couple months will see Ian return to Liverpool, to play the role of Jason Woods in Sky One’s new TV series; Bulletproof. It truly is amazing not only how much Ian has done over the years but also how varied the work is. It shows that if you are committed and passionate about getting to where you want to be, you will get there. With all of this amazing work behind him we asked Ian, where do you want to be in 5 years time?

I don’t actually know, if I have learnt anything over the past 15 years, it is that plans and paths change. So, I suppose I would eventually like to teach drama/performance full time. However my career is/has been so eclectic, I think the best 5 year plan I can have, is to trust my Agent!

It is great to see that Ian is interested in teaching and we’re hoping that some of that is down to his experience at LTS. We decided to ask Ian a few questions about his time at LTS, firstly we asked, what did you enjoy most about LTS?

This is hard to pinpoint, because I loved LTS, even the hard days were great. The teachers were amazing and really sympathetic to my lack of dance skills. However, I loved the stage combat, the singing and getting to perform in public.

We try to offer our students as much training in all aspects of performing and a lot of students favourite class is definitely ‘Stage Combat’. With our auditions for next years intake just around the corner, we asked Ian, why should prospective students consider studying at LTS?

Prospective students should choose LTS because of its varied and diverse training program. I have never been anywhere, where there is so much training for all aspects of performance. I have worked in theatre on plays, musicals, operas and on TV/Film and how I conduct myself is all down to how I was initially trained at LTS.

It is great to know that the training you received at LTS is what has benefited you in all aspects of your work. Finally we asked Ian, what is your favourite memory/story of your time at LTS?

I have so many great memories of studying in LTS. I remember a lot of mischief and a lot of banter.
 The funniest thing though, has to be a stage combat class where we learnt how to have our heads bashed off the wall. One person in my class decided to mimic a bull. She shouted, “Hey everyone, look at me”. Imitating a bulls horns with her hands and scuffed her foot along the floor like a bull about to charge! She charged at the wall, gaining speed. She reached the wall but she did not bounce off, she just, sort of kept going in to the wall. We all looked on in hysterics as there was just thee bottom half of this person hanging out of a rather large hole in the wall saying, “I’m ok!”.
 I will always remember the fun friendly atmosphere. It might sound strange, but I have the fondest memories of walking through those front doors each day and feeling at home.

A lot of the staff remember this one! Thank you for your time Ian! We’re all so glad to see what you’ve been up to and we’re very excited to see what comes next! Best of luck in everything you do! Pop in and see us soon!

Liverpool Theatre School


This week we caught up with our amazing graduate Carina Gillespie. Carina is 33 and graduated LTS 11 years ago in 2006. Since graduating she has worked professionally in the industry for 10 years. She started working as a recording artist after graduation, releasing a song that went to number 2 in the dance charts. She then toured with “Bass Hunter” and started writing her own music. One of her highlights of this period was being lucky enough to go to LA to gig with a rock band. After her return to England she the desire to perform returned  and she decided to audition for musicals. Her first role was “Maria Elena” in the Buddy Holly Story which she played for a year, touring the uk. She then turned her hand to short films, workshops and a few ‘Pantos’. She performed at the Edinburgh festival with a new musical called “Bloodbath” playing the part of Linda. alongside some of the West End’s best leading actresses. She then went on to play “Sandy” in Grease both on the West End and in the UK tour. Soon after she got the role of “Nessa Rose” on the original UK tour of “Wicked”. Currently she is working on the West End production of Wicked as the stand-by for “Glinda”.

It is safe to say that Carina has been up to a lot, especially when you find that she managed to squeeze getting married into all that. We wanted to find out a few things about how Carina found her time with us at LTS, so firstly we asked her, what did you enjoy most about your time at LTS?

“I loved my time at LTS and especially enjoyed working with the guest teachers that came in weekly from different shows. It was such a wide variety of productions so I felt like I knew what to expect from the audition processes for a wide range of shows. That gave me a lot of confidence.”

With our auditions just around the corner, we asked Carina, why she thinks, prospective students should consider training at LTS?

Students should definitely consider training at LTS as it breeds performers with personality, LTS embraces each quirk and nurtures it. They understands that not everyone has to be the same to work in this business.

Thank you for the kind words Carina, we certainly have had a few characters over the years. Finally, we wanted to know, what is your favourite memory of LTS?

My favourite memory of LTS is going to London for our showcase. It was so exciting to have all the agents in the audience and have the chance to perform on a west end stage. What made it even better was having a group of friends who you know so well by the end of the 3 years, share the experience with you.

We’re so glad you enjoyed your time at LTS and we’re so happy to see how well you’ve been doing. Keep working hard and come back and see us soon.

Liverpool Theatre School



It is crucial to be given a chance and feel confident about who you are as an artist. I have met dozens and dozens of students from the top 2/3 London musical theatre schools who were not even involved in their showcase. They didn’t do a step of dance or sang a single note because there was simply too many of them in the class and were not given the chance to show who they were during the duration of their course. LTS gave everyone a chance. That was the case throughout the three-year course. We ALL sang solos on a weekly basis if front of each other, we ALL had a part in the plays we were putting on, and we were ALL dancing. When you are then, out there, at auditions, it helps tremendously.

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